Read more about us. Compared to the original E-M5, you get a larger rear LED screen, improved video, faster burst rates and shutter speeds, and a beefed-up grip. You can opt for a versatile zoom lens that covers many of your everyday uses, and there are plenty of prime lenses to choose from as well. See the Olympus mm Kit. This lens is more expensive and heavier than the competition, but discerning photographers will appreciate its sharpness, build, and outstanding image quality we like the integrated hood feature too.
See the Panasonic mm. Manual focusing may be a hurdle for some photographers, but we love the sharpness and build quality of the Rokinon 12mm. For comparison, the Zeiss 12mm Touit for Sony and Fujifilm has similar optics and is more than double the cost. See the Rokinon 12mm. What we don't: Focus can be slow.
This super light and mostly plastic lens captures good images at a 35mm equivalent focal length on E-M5 Mark II. At only 2. See the Olympus 17mm. This pancake-style lens is extremely light at only 3.
Our only major concern is the 40mm equivalent focal length, which is slightly less wide than we prefer for street photography, but not quite close enough for most portraiture.
See the Panasonic 20mm. With a focal length equivalent of 50mm on a 35mm camera, this lens produces outstanding photos and video including the best low light performance on this list, fast and accurate autofocus, and excellent sharpness even wide open.
See the Panasonic 25mm. This lens is sharp, produces creamy bokeh, and vibrant colors. However, one consideration when choosing this lens is the focal length equivalent of 90mm on a 35mm camera, which really is a distance used mostly for head shots.
See the Olympus 45mm.
Olympus OM-D E-M5 II Review
See the Olympus mm. The lens is extremely sharp, produces excellent bokeh, vibrant colors, and has image stabilization for hand held photos. As with almost all Leica lenses, premium quality comes with a premium price tag, which is the biggest hurdle for most consumers in choosing this lens. See the Panasonic 45mm. One is its focal length of 60mm equivalent to mm on a 35mm camerawhich is a bit longer than some photographers prefer for macro photography.
Others are its lack of image stabilization and mostly plastic construction the lens does have a metal mount. But all things considered, we think the Olympus 60mm is a top-flight macro lens and a better value than the Panasonic Leica 45mm.
See the Olympus 60mm. Weight: With an equivalent focal length of mm, the lens works well for travel, wildlife, and other telephoto photography.Hi Robin, we almost have the same settings. Some things i have set different on my E-M1: Since i always have fingers around the grip i never have to 'search' for these buttons: - I use the DOF preview button as AF home.
Easy way to put the focus point back in the center in one press, and i never use DOF preview anyway - I have the button above that, the one touch whitebalance, set to ISO.
Thanks for sharing Jochem. I think one of the great things about OM-D is the ability to customize the many function buttons to whatever we need. Hi, Robin, very useful article. As usual. Thank you! Hi Robin, Thank you for sharing this article it may be old for some but for me as a newbie in Photography this is really helpful.
Keep sharing your thoughts in Photography! Hi Robin, I have an E-M10 and found your settings very helpful, just one that I am having a problem with is the Noise Reduction, on my camera it is set to "off" and the item is greyed out and I can't access it to change it to Auto, could this be that some other setting needs to be changed for it to become accessible?
If you are in multishot mode the NR is greyed out. Change to single shot and it wll be accessible. Hi Robin. I use em5 mark 2 with 25mm prime lens. Problem: seem cannot live view f8.
Would like to know if i set f2 for photo shot same distance it live view show bokeh. When i set f8. Live view seem still bokeh behind.
Are all camera will not display actuallive view? Hi Robin - One small mistake in your article. E-PL7, yes. E-P5, after a firmware upgrade. E-M10, no. I have just checked. Hi Robin! Long time reader, first time poster : I have an E-M10 and after updating to firmware 1.
Thanks for the very informative post and your work on this blog in general! In my case I have enabled by default for any shot. When it would be convenient to disconnect or change its value? Congratulations, and at the same time, thank you very much for your work.
Since I discovered his blog, it is fixed to consult every day. Best regards. Thanks guys for pointing this out.You appear to be browsing this site using Internet Explorer 6. This browser is now out of date.
For safer, more reliable browsing it is recommended that you upgrade your browser to one of these browsers:. Ideal for capturing clear photos and movies in low light without a tripod. From vertical and horizontal angle rotations to vertical and horizontal shifts and rolling movements, built-in 5-Axis VCM IS compensates for every possible blur.
It even delivers a clear image in the viewfinder for stable framing. It not only weighs in at a light g, it also boasts construction quality beyond compare. Combined with a compact size, this OM-D lets you naturally get in the scene without sticking out of the crowd. Free yourself from the cumbersome camera stabiliser normally needed for cinema-grade movie-making.
With it, you can shoot steadily even while moving. The high bit rate of up to 77Mbps and multiple frame rate options let you easily record stunning scenes in Full HD action. The latest firmware update for your E-M5 Mark II gives you an enhanced tool for taking beautiful, clear photos with full ease and creativity.
Thanks to the optimised memory function, you can now enjoy focus stacking capability with your E-M5 Mark II. Increase the depth of your images while maintaining clarity and the artistic expression you intended.
Similar to the old days when coloured film was developed, the Bleach Bypass Art Filter adds a warm, mysterious atmosphere to every kind of scene. At the same time, it highlights the metallic surfaces of cars, machines and more. Because the touch-screen Vari-angle LCD can be flipped to any angle, you are free to film creative perspectives. Control the microphone and time code on the LCD or use the digital level with ease too.
When it comes to capturing fine details, the higher the resolution, the better. By capturing eight shots sequentially and then combining them into one, it is ideal for photographing works of art, landscapes or more of an amazing 40 megapixels.The E-M5 series has a special place in our hearts because the original E-M5 was the first mirrorless model we tested when we started our blogging venture in At the time, the camera introduced very interesting technology such as five axis stabilisation while also providing advanced weather sealing for a reasonable price.
The E-M5 II came out three years later with improved stabilisation and the first high res shot mode on a mirrorless model. We were not asked to write anything about these products, nor were we provided with any sort of compensation.
Within the article, there are affiliate links. If you buy something after clicking the link, we will receive a small commission. Thank you! To open them, I changed the camera model name in the exif data so that the program would interpret the files as E-M1X files. The E-M5 II features a Olympus informed me that it is an updated version, although I have yet to see what kind of benefits it may bring.
With the E-M1X, Olympus tweaked the sensitivity to improve shadow recovery but as a result highlight recovery decreased. The image processor has been updated too, unsurprisingly. The sensitivity range is the same: to ISO. I have yet to test them side by side to see if this is indeed the case.
I have never seen a 2 stop improvement between 16MP and 20MP sensors when comparing other micro four thirds cameras, but the gap between these two models is larger so perhaps there will be a bit more to talk about.
Below you can see an example at and ISO taken with the new camera. The crop looks quite good whereas noise increases considerably at ISO. The Super Sonic Wave Filter causes the membrane vibrate 30, times per second when you turn on the camera to get rid of dust.
This is the same implementation seen on the E-M1X. Finally, both cameras can take pictures with the High Res shot mode, where 8 images taken with a half a pixel sensor shift between each shot are combined to create more resolution than what the native sensor has to offer.
To my eyes it is the most important actually. The E-M5 II uses an outdated contrast detection system with 81 points. The video performance is slow. This means better performance in C-AF and Tracking, especially when taking pictures of sports and birds in flight. The camera inherits the same algorithm seen on the E-M1X where the recorded images are analysed in addition to the live view to improve accuracy.
Olympus said that the algorithm has been further tweaked to prevent the autofocus from jumping to the background. Low light sensitivity has been improved as well and is the same as the E-M1X -6Ev with f1.As such there is a lot of expectations that it has to live up to. There are some very significant improvements over the older camera.
Better viewfinder and LCD screen resolution, better auto-focusing and manual focusing assists that makes shooting stills and videos a breeze. Image stabilization has been improved as well. As has been the maximum shutter speed possible on the camera. Micro four third systems have a crop factor of 2. Low light capability of a mirrorless system and for that matter any interchangeable lens system is an important consideration.
The native ISO range of the camera is — When extended it can shoot at ISO — But is it usable at ?
Not really. Even then there are ample grain which obliterate details in the image. This system performs admirably when in single-shot mode with high accuracy and great speed. Face detection and eye focusing is snappy too.
AF tracking performance is satisfactory too. The only gray area being continuous auto-focusing when shooting in burst mode. This will potentially leave you with a larger number of out of focus images.
The Mark II has undergone some changes to the positioning of the buttons and dials compared to the previous camera. Two additional function buttons have been provided and the right top plate has been redesigned.
One of the new things you would find on a camera of this type and budget is the High Resolution Shot.
What these cameras essentially did was that they sampled several images created after shifting the sensor one pixel at a time in each of the four directions. The Olympus does a very similar thing, except that in this case the camera moves the sensor by about half a pixel. It takes 8 images and then composites them in-camera. As there are a ton of information to process, even with down-sampling the images are pretty large in resolution. How large? This basically means at a fraction of the cost of a high resolution DSLR or medium format camera you now have the ability to shoot very high resolution shots with an incredible amount of detail.
You could make extremely large prints, without the need to upscale your images in post. Also, you can make very tight crops without losing resolution and or the ability to print big. There is a downside to this feature though. Especially if you are using it in an urban setting where people and cars are moving about. You are going to get some motion blur. Those will be created by the moving objects inside the frame. This system does uses several shots made consecutively and therefore some amount of motion blur is inevitable.
Product type. Screen size Image sensor. Total number of pixels: approx. Recording still. Image Stabilisation System. Zuiko Digital lenses Stabilisation performance 5. Zuiko Digital ED mm F3. Lens IS prioritye With. Art Filters, exposure compensation adjustments, and white balance adjustments will not be reflected. Live view.
Live view Approx. Monitor type 3. Exposure Control Still.In fact, at first glance it looks relatively unchanged. The most obvious additions are its more advanced movie capabilities and a clever multi-shot 40MP mode, but you have to look a bit more closely to see how much work Olympus has put into this new model.
How do you follow up a classic? A little more time is going to have to pass before the E-M5 can truly wear that mantle but I have little doubt that that's the question Olympus's engineers and product planners have been asking themselves.
And, it must be said, it's quite a challenge. Technology has moved forward since the first OM-D was launched but simply bringing the camera up-to-date risks feeling like a let down. Sure enough, the E-M5 II doesn't feel like as big a step forward as its predecessor was. But how could it be? Cameras such as the Sony's a and a7, and Samsung's NX1 have raised the expected level of capability so far that it would be hard for any new model to represent as much of a breakthrough.
Nonetheless, Olympus has probably done as much as it can to move things forward. Close examination of the camera shows that almost every aspect of its design has been tweaked, refined and polished.
Without access to a higher pixel-count sensor, it's not obvious what else Olympus could have added to the Mark II. These include focus peaking, uncompressed HDMI output, a mic input socket and timecode, amongst others. In addition to these new features, the E-M5 II gains a couple of features that have been introduced in Olympus cameras since the original model's introduction.
These include a version of the 2x2 control system that first appeared on the E-M1. Then, on top of all of these changes, the E-M5 II plays host to a couple of minor behavioral changes that we've been hoping for, for some time. The most prominent is that the camera defaults to using the excellent Super Control Panel user interface, right out of the box.
Olympus OM-D E-M5 II vs OM-D E-M5 III – The 10 Main Differences
Olympus has also stepped away from the 'modal' display modes: finally allowing you to combine a histogram, level guide and highlight and shadow warnings in any combination you like. These are small things but they suggest that Olympus is onboard with the current trend of listening to users and being willing to make small changes.
Disappointingly the changes to the camera, including the higher resolution viewfinder and screen, have had an impact on battery life. The E-M5 II is rated at shots per charge, down from shots for the original camera. This increases to shots per charge in 'Quick Sleep' mode but that involves the camera turning off the screen as soon as you take your eye off it. Close comparison of the E-M5 II and its predecessor shows that, while the overall styling is very similar, the two have less in common than you might think.
E-M5 Mark II
Every face of the camera has been significantly re-worked and features new control points. Roll your mouse over the right-hand tab and you can see the comparison with the E-M1. It should be immediately apparent how many of the control changes have filtered down from the M5 II's big brother.
The E-M1 is a considerably larger, bulkier camera but the two share a great many features and capabilities. The E-M1 is an impressively quick camera to control, once you've configured and become familiar with its 2x2 control system. The E-M5 II doesn't offer quite the same level of direct control, given the absence of the twin buttons on the left should that re-purpose the command dials.
Its smaller grip and lack of on-sensor phase detection means it's less well suited for use with existing Four Thirds lenses, but in most other respects it's not a significant step down from the E-M1.
Olympus will offer a range of accessories for the E-M5 II, including hand-grips and tripod mounting brackets. Like its predecessor there's a two-part grip but, for reasons that will become clear, they'll be available separately.